Differences that Matter: Feminist Theory and PostmodernismCambridge University Press, 1998 M11 26 - 222 pages Differences That Matter challenges existing ways of theorising the relationship between feminism and postmodernism which ask 'is or should feminism be modern or postmodern?' Sara Ahmed suggests that postmodernism has been allowed to dictate feminist debates and argues instead that feminism must itself ask questions of postmodernism. In other words, feminist theorists need to speak (back) to postmodernism, rather than simply speak on (their relationship to) it. This 'speaking back' involves a refusal to position postmodernism as a generalisable condition of the world, and uses close readings of postmodern constructions of rights, ethics, 'woman', subjectivity, authorship and film. Moreover, the differences that matter are shown to concern not only the differences between feminism and postmodernism, but also the differences which define the terms themselves. |
Contents
Rights | 23 |
Ethics | 45 |
Woman | 68 |
Subjects | 94 |
Authorship | 119 |
Meta fictions | 142 |
Screens | 166 |
Events that move us | 191 |
Notes | 198 |
204 | |
214 | |
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Aboriginal already argues assume assumption authorised authorship becoming woman Blue Velvet body body writing Cashinahua classical cinema close reading constitutes constructed context Coover critical critique cultural debate deconstruction defined Deleuze Deleuze and Guattari demand Derrida desire destabilisation determined diegesis differences that matter differentiation discourse embodiment enigma enunciation ethics event female feminine feminism and postmodernism feminist feminist theory fictions figure film filmic frame function gaze gender Guattari hence identification implications impossibility inscribed involves irreducible judgements Lacan Levinas literary Lyotard male masculine meaning meta-fiction metonymy mirror stage modern narrative narrator object ontology over-coming phallus phantasy philosophy politics position pragmatic precisely privilege psychoanalysis psychoanalytical film theory question rape reader realism recognise refusal relation representation sexual difference sexual identity shift signifier simply social spectator story structure suggests textual theory Thousand Plateaus tion transvestism truth universal violence Wild at Heart women writing